Jesús Moreno nació en Caracas, Venezuela en 1981. Es licenciado en Artes Plásticas mención escultura por el “IUESAPAR”; y estudió en la escuela de artes visuales “Cristóbal Rojas” desde 1996 a 2001, donde aprende teoría y práctica sobre la pintura y la escultura. MoGá (seudónimo que mezcla sus apellidos, Moreno - Granados) ha desarrollado un lenguaje personal que mezcla pintura y escultura, artes gráficas y sonido. Su trabajo nos habla sobre las relaciones entre el entorno urbano, el humano y la tecnología, mostrando cómo el espacio es una continuidad que existe entre las cosas y las cuestiones inmateriales del espacio interno de lo hombre. Este lenguaje muestra una vista personal del entorno, comprendiéndole como una red de comportamientos espaciales que contiene al ser humano que posee en sí un espacio. Busca mostrar cómo esos lugares están conectados, pues el autor comprende la ciudad como una máquina sensible donde sujeto y objeto se plantean como una continuidad espacial en la que el espacio interno del ciudadano existe respecto a su ambiente, y el ambiente respecto al habitante. Utiliza sus recursos plásticos para generar paisajes, dispositivos y retratos que quieren mostrar cómo el espacio posee una elasticidad devenida de esa continuidad entre el ambiente y el que vive allí adentro, y cómo el espacio de la ciudad está vinculado al espacio interno del humano. Su investigación plástica ha estado ligada a su trabajo musical y poético, cuestiones que podemos ver mezcladas en su propuesta. De hecho, en 1999 recibe el primer premio del “8vo concurso de poesía para liceístas” de la Casa de la poesía “J.A Pérez Bonalde”. Su trabajo plástico y literario ha sido reconocido en convocatorias locales con menciones y becas especiales, y han sido exhibidos en varias exposiciones de pintura, escultura y cerámica. En el trabajo de MoGa encontramos una identidad propia, que mira a través del espacio para exhibir las conexiones que existen dentro de él, y cómo la ciudad y el hombre existen como una mezcla de ruido poesía. Para MoGá, las cosas cotidianas contienen un espacio interno donde están presentes las sensaciones, percepciones y emociones del hombre como una sustancia inmaterial, y como ellas son un puente para los espacios que podemos ver y tocar, y aquellos que podemos percibir pero que no existen como un hecho concreto. Por esto, él piensa arte como un umbral entre ambas comprensiones del espacio, y nos lleva a preguntarnos donde comienza y donde terminan el espacio exterior e interior, cuánto de la ciudad está en nosotros, y cuánto de nosotros está en ella.
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Jesus Moreno was born in Caracas, Venezuela in 1981. He has a degree on Fine arts, mention in sculpture by the “IUESAPAR”; and studied in the Visual Arts School “Cristobal Rojas” from 1996 to 2001, where he learned theory and practice about paint and sculpture. MoGá (a pseudonym made mixing his surnames, Moreno - Granados) has developed a personal language mixing paint, sculpture, graphic arts and sound. His work talks us about relations between urban environments, human beings and technology, showing how the space it’s a continuity that exists between matters and immaterial things of the inner space of men.
This language shows a personal view of the environment, understanding it like a net of spatial behaviors, which contains the being who contains itself an inner space. Looking to show how those places are connected, he has developed a plastic work which understands the city like a sensible machine where object and subject are a spatial continuity, from the inner space of the citizen to his external environment, and from these to the ambiance; using his plastics recourses to generate landscapes, devices and portraits that want to display how the space it´s a continuity given between the environment and who lives there, and how the city’s external space is linked to the inner space of human being.
His plastic research has been linked to his musical and poetic work, topics that we can see mixed in his proposal. In fact, in 1999 he received the first prize of the “8th tournament of poetry for high school students” of the Casa de la poesía “J.A Pérez Bonalde”. His artwork has been recognized in local tournaments with special mentions and scholarships, and has been showed in several exhibitions of paint, sculpture and pottery. On this way, we can find a specific identity in his work, which see trough the space for display connections that exists inside them, and how city and men exists like a mix of noise and poetry.
For Mogá, everyday things contains a inner space where feelings, emotions and sensations of men are present like a kind of immaterial substance, and they are a bridge for those spaces, this that we can see and touch, and these that we can perceive but that don´t exist like a concrete fact. For this, he thinks art like a threshold between both comprehensions of space, and carry us to ask ourselves where it starts and where it ends the exterior and inner space, how much of the city it´s in us, and how much of us is in it.
This language shows a personal view of the environment, understanding it like a net of spatial behaviors, which contains the being who contains itself an inner space. Looking to show how those places are connected, he has developed a plastic work which understands the city like a sensible machine where object and subject are a spatial continuity, from the inner space of the citizen to his external environment, and from these to the ambiance; using his plastics recourses to generate landscapes, devices and portraits that want to display how the space it´s a continuity given between the environment and who lives there, and how the city’s external space is linked to the inner space of human being.
His plastic research has been linked to his musical and poetic work, topics that we can see mixed in his proposal. In fact, in 1999 he received the first prize of the “8th tournament of poetry for high school students” of the Casa de la poesía “J.A Pérez Bonalde”. His artwork has been recognized in local tournaments with special mentions and scholarships, and has been showed in several exhibitions of paint, sculpture and pottery. On this way, we can find a specific identity in his work, which see trough the space for display connections that exists inside them, and how city and men exists like a mix of noise and poetry.
For Mogá, everyday things contains a inner space where feelings, emotions and sensations of men are present like a kind of immaterial substance, and they are a bridge for those spaces, this that we can see and touch, and these that we can perceive but that don´t exist like a concrete fact. For this, he thinks art like a threshold between both comprehensions of space, and carry us to ask ourselves where it starts and where it ends the exterior and inner space, how much of the city it´s in us, and how much of us is in it.
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